Articles About The Knot

 

Date: Thursday April 13, 2006

On:  Boston.com
By Boston Globe Staff

NIGHT OF THE LIVING DEADHEADS: You can get in touch with your inner juvenile by checking out eternal rockers the Knot at the Sit 'n Bull Pub in Maynard on Saturday.

Since 1977, this Grateful Dead-inspired band has kept the long, strange trip going. Its older fans have aged with them and crest in the 50-something range, while new ones keep turning up as soon as they're of age.

''We're not a cover band or a tribute band," explains lead singer and guitarist Bruce Mandaro. ''We don't try to make our music exactly the same as the Dead's, but rather we just try to make it something similar that people might enjoy for the night. It's like jazz. We just try to reinvent each song each time we play it."

Nonetheless, close your eyes and Mandaro's Fender Stratocaster sounds as if Grateful Dead frontman Jerry Garcia has returned for one last, luxurious jam.

Even the band's worthy originals sound as if Garcia could have penned them.

''I have something I call the Jerry box. It's an envelope filter and if I turn it on, it sounds like Jerry," Mandaro said humbly. But the band has a little more craft than that.

Mandaro and his bandmates John Brigham of Northborough (bass), Mark Munzer of Norwood (keyboards), Perry Seigle of Medway (guitar), and Greg DeGuglielmo of Chelmsford just have that spaced-out but dead-on groove down that kept Deadheads following Garcia and friends around for decades.

Fans of the Allman Brothers, Little Feat, Clapton, and other classic rockers will hear familiar tunes as well, all interpreted with the Knot's own airy style.

 


Date: Tuesday December 30, 2003

On: E-Worcester.com
By Scott McLennan
(T&G STAFF – Entertainment)

After years of cantankerous explanations as to who was whom, area jam-band mainstay Slipknot is changing its monicker to The Knot. Guitarist Bruce Mandaro said he was tired of the hassles generated by fans of the death-metal band Slipknot which cruised out of Iowa to national prominence a few years ago. It didn't matter that Massachusetts' Slipknot has been around for more than 20 years, lots of people got confused.

"Old fans always knew the difference, but the problems came whenever we advertised at festivals. People would see the name Slipknot and wonder if it was the other band," Mandaro said. Fans of the masked metal brigade also cluttered Slipknot's Web site (fittingly enough, www.knotbuzz.com) with vile and crude comments.

"After a while it just got to be unpleasant to be connected with that," Mandaro said of the intertwining of his world and the Ozzfest minions.

Thus Mandaro and crew will perform as Slipknot for the last time Saturday at The Plantation Club, 151 Plantation St., Worcester. Come January, when you see signs for The Knot, know that you're in for a good dose of Grateful Dead-inspired music.


 

Date: Thursday December18, 2003
           

In:  Worcester Magazine
By
Charlene Arsenault

Title: Taking the slip out of knot - Band changes name, not direction

Ironically, the band that will surely sail into oblivion with many of the other flavor-of-the-day metal that pleases young brains, gets to keep the name Slipknot.

Around here, for more than 25 years, we’ve known Slipknot as the fun-time jam band that plays a lot of Dead tunes. Within those parameters, they were always at the top. Slipknot packed clubs, got top billing at lots of regional summer jams, and hosts its own Slip Into and Slip Out of Summer outdoor bashes. But Slipknot, the metal band that came on the scene in the late ’90s, is a national machine with a corporate monster backing it.

Still, for years, the Slipknots (there are about four other Dead tributes called Slipknot in the country) tried to co-exist. It doesn’t seem like it would cause that much trouble, but it did. Every time the local Slipknot played, particularly beyond this region, club-owners would get blasted with calls of confusion.

 

Our Slipknot (to reiterate, the Grateful Dead band from Worcester) just didn’t want to combat the confusion anymore. After the show this weekend at the Plantation Club, Slipknot will be known as The Knot — a nickname used among fans of the band for years.

“I think it became an issue of advertising,” says frontman Bruce Mandaro, who also heads The Bruce Mandaro Band. “I’ve even heard first-hand accounts of people saying, ‘Well, we used to go to Slip Into Summer, until it turned metal.’ At first, I was irritated, but I was more irritated with dealing with the struggle of the identity thing. We’re relieved we can put it behind us. The name was ruined whether we used it or not.”

The official press release reads “This change was the result of another band (from Iowa) naming themselves ‘Slipknot’ around 1996. The problem for us was obvious to anyone who visited the guestbook on our Web site.” Mandaro expounded briefly on the problems on his site (knotbuzz.com), but obviously the legalities of this change prohibited him from using certain words and phrasing. “There have been threats to my life,” says Mandaro about his band’s message board. “Most of them are probably from 12 to 14-year-olds, and it’s with the language of the band, which is pretty ugly.”

According to the law, Mandaro says he probably could have fought and won — making that “other” Slipknot change its name. But it would take a lot of money, time and effort to do so. He’s just looking ahead now, and has a year to use the “formerly Slipknot” tag in his ads.

“We’re fortunate that we still get out and play,” says Mandaro. “As you know, the whole live music scene is hurting. We play two to three times a month and practice once in awhile and do our recordings. The Dead were just a one-of-a-kind, full-bodied experience that allowed people to be part of something larger than themselves. The quality was just so good. This music is just appealing to a large segment of society.”

And so is Slipknot ... soon to be The Knot. So with or without the Slip (hey, isn’t that a band, too?), The Knot will continue to do what it does best — bring a good jam to its good-natured fans. Say you were at the show the last time they were called Slipknot Saturday night. We assure you, there won’t be any metal there.


 

Date: Thursday December 18, 2003

On:  Sentinel and Enterprise.com

By Shaun Suhoski

An agreement has apparently been reached by the bands known as "Slipknot" with respect to use of the name.

In the wake of a lawsuit and countersuit filed in Middlesex Superior Court by the respective groups with similar names but differing styles (one being a dark metal band with freakish costumes, and the other an improvisational jam band molded after the Grateful Dead), it appears an agreement has been reached.

According to a statement by Slipknot's (the jam band) Bruce Mandaro, the local outfit will be known simply as "The Knot" after Jan. 1.

"Fans of this other Slipknot continuously assaulted us with their displeasure at finding us instead of the band they were looking for," he understated. "We finally thought it time to confront the Iowa band and in doing so, were able to resolve our issues and allow them to keep the name "Slipknot."


 

Date:  Thursday December 11, 2003

In:  Clark University Student Paper

By Rebecca Carter
Title: 
Slipknot: the jam band truth

The New England jam band scene has consistently thrived through its followers, and grown even more in the last decade.  For fans of the jam scene’s music and atmosphere, seeing your local favorites in the more personal settings of the area’s clubs and bars is a great way to experience that state of mind.  One of the original bands on the scene is Slipknot.  Mark Munzer, the keyboard player and one of the vocalists for Slipknot, took some time to answer a few questions about the band, and their recent name change.

Slipknot was started in 1977 by guitarist and vocalist, Bruce Mandaro, “with a dedication to exploring musical improvisation and a fondness for the music of the Grateful Dead, Allman Brothers Band, and other pioneers of improvisational rock” , Mark said.  Along with Bruce and Mark, Slipknot consists of John Brigham on bass and vocals, Greg Deguglielmo on drums and vocals, and Perry Seigle also on guitar.  All the members are from the Massachusetts or New York area.  Together the band creates a vibe that is dead on with atmosphere that the bands they cover projected; simply put:  the audience loves them, and they were votes best local groove/jam act in the Worcester Phoenix’s 1998 and 1998 music polls. 

Slipknot’s repertoire consists of material by the Grateful Dead, Allman Brothers, The Band, Traffic, Bob Dylan, and Eric Clapton to name a few.  Along with the covers, Slipknot also has original songs, that seem to spring from the styles of the musicians they cover.  Bruce and Mark write most of the originals, and in 1997 they releases a studio album of original material called “Slip Into Somewhere”.  Whether it’s their own material or a cover, Slipknot comes through as a group of extremely talented musicians, and the audience notices and appreciates it.  At their last show at Harper’s Ferry in Boston, the crowd went nuts for their rendition of the Grateful Dead’s “Fire On The Mountain”, and their version of Eric Clapton’s “Badge” was equally impressive.  The way that Slipknot goes about forming their set list is very different than most bands.  Mark explained that they rarely ever come up with a set list before a show.  They usually decide on a song to start with, then try to steer the jams towards other songs during the set.

You may have noticed that there is another Slipknot.  In 1996 a metal band from Iowa formed and chose the same name, but their style of music (and the blood, masks, and goats) seem like it would make it hard to confuse the two, but it has happened.  The jam band Slipknot began receiving abusive and threatening posts on their web site , as well as e-mails and calls to their information line.  So the original Slipknot has decided to go with a name change.  As of January 1st, they will go by “The Knot”, and continue playing in the same tradition that they always have.  Their last show as Slipknot  will be at The Plantation Club in Worcester on Saturday, December 20th.  There is another upcoming show in Boston at Harper’s Ferry on Saturday, January 3rd.  For more information on Slipknot, soon to be The Knot, go to www.knotbuzz.com.  And if you feel like doing a good deed, tell a fan of the metal band Slipknot that their name is the same as a Grateful Dead song.



Date: 1998

 

On WorcesterPhoenix.com

By Marc Edmonds


The death three years ago of Jerry Garcia did more than just lead to the dissolution of one of the most successful pop-culture phenoms of the late 20th century. It also delivered a harsh dose of reality to thousands of Dead followers. Many had structured their entire lives around the band's annual meanderings. With Garcia gone, a cause, a movement, and, for some, a reason for being were gone. It was as if one man had died so that millions could get a life. No sooner had Garcia been laid to rest, then, it seemed, an entire industryful of tie-dyed and paisley-ed bands sprung up to cater to his iconless flock. There are enough surrogates out there to make the Dead's absence endurable. Phish (see Best National Groove/Jam Act, page 12) and Dead spinoffs such as Bob Weir's Ratdog hit the concert trail often enough to warrant keeping the tags on your old Microbus. This summer, the surviving members of the Dead (minus Bill Kreutzmann) will hit the sheds as the Other Ones as part of the Further Festival. Meanwhile, locally, an army of Dead-like bands, such as Slipknot, Jiggle the Handle, and Another Planet will be keeping the jam banner flying.

Slipknot don't fall into the let's-write-confusing-lyrics-and-noodle-with-our guitars trap. Nor do they adhere only to covers. They know that the Dead were superb roots musicians, and that their mastery of folk, bluegrass, blues, and country is precisely what made their music magical. Slipknot's is too, for many of the same reasons. Guitarists Bruce Mandaro and Larry Mancini are intimately familiar with the blues. Ultra-slippery nine-string bassist John Brigham's dad played jazz -- hence his musical thinking and playing outside the box; keyboardist Mark Munzer, and drummers Greg DeGuglielmo and Jeremy Esposito all come from varied rock backgrounds.

Together, they deliver original music that recalls the Dead's earthiness without sounding like a calculated knockoff of Uncle John's Band.


Date: Wednesday May 08, 2002

On:  Chart Attack

By Chart Attack Staff
Title: 
Slipknot Jam-Band Prevails Over Foul-Mouthed Maggots

Last week we told you about the confusion and controversy surrounding the name behind the Iowan horror-rock band Slipknot. We mentioned that a British knitting club website had been bombarded with abusive messages from Slipknot's legions of "Maggots" (goon-speak for "fans") and that a New England-based jam band, also named Slipknot, had also felt the wrath of the Maggots.

The New England Slipknot (who, by the way, are the original owners of the Slipknot moniker — they've in fact been playing for over 20 years), wrote ChartAttack to correct a wee error in our story. We reported on a nasty post from the Original Slipknot's website in which an angered jam-band fan had wished that the nu metal Slipknot would be "drowned in boiling menstraution [sic] blood." Anxious not to have his fans painted as a bunch of uncouth louts, the Original Slipknot's guitarist, Perry Seigle, wanted us to point out that it was actually a Maggot that made the post, wishing that "we [the New England band] should be boiled in that fine liquid." There you go.

Incidentally, this isn't the first mix-up that the Original Slipknot (who by the way, are very good-natured about this whole Maggot mess) have had with the schlock-rock band. Seigle says that despite a friendly note on the home page of their website and the numerous pictures of older dudes in tie-dye shirts, many a Maggot has mistaken the site for that of the Iowan Slipknot, posting things like "Love The Masks!" in the guest book (clever lot, ain't they?). Every once in a while they'll even show up at the Original Slipknot's gigs, although Seigle says it isn't as much of a problem as one may think.

"We will advertise 'New England's Original Jam Rock Band, Slipknot' and they'll show up thinking it's the boys from Iowa," he says. "Sure! They just played for half a million people at Suck U Stadium and secretly they are from Massachusetts and call themselves a jam band and play at a blues club.

"Most of them are too young to get into the clubs, so we don't see too many Maggots there. However, when we do our theatre shows or festivals, they do come out. They get very confused at first… it's fun to watch. Like a fish out of water. Like they are actually in pain. At the clubs, if they are old enough to get in, someone usually can tell why they are there and we try to tell them before the show. We've refunded money if they want to leave — that's cool. But the coolest is they came to see the Iowa Slipknot (in a blues club?) and they end up staying all night and dancing… they must have drank the kool-aid."

See, that positive hippie stuff does work. Being the enlightened fellow that he is, Seigle has done his best to try to reason with the young Maggots and, surprisingly enough, most of them aren't as detestable as we'd like to believe.

"I have also found that most 'Maggots' act like maggots only when they can be anonymous or in a group," Seigle says. "I sometimes respond directly to a Maggot obviously lost and upset and foaming through the eyes that they ended up on our 'Godamned old fart hippy pussy site.' And I explain the name confusion. Who we are. Why we don't care about the Iowa band. And we don't bad mouth them. And we wish them well, we just wish the Maggots wouldn't give us a hard time or think we stole anyone's name. And nine out of 10 times, the Maggot transforms [at least in their email responses to me, I can't vouch for their actual personal habits] into a nice, normal kid. One out of ten responds back with a barrage so foul it would make Dr. Ruth cross her legs."

Oh well, you can't win ’em all. Seigle maintains that he's more amused by the confusion than anything and happily points out that while the Iowa Slipknot probably doesn’t have "a long shelf life, anyway," his jam-band have been around much longer than most of the Maggots have been alive.

Chalk one up for peace, love and understanding.


Date: Wednesday May 08, 2002

On:  Wormtown

By Brian Goslow
Title: 
SLIPKNOT: UNMASKED FOREVER!

For the past two years, two groups, worlds apart musically, have been involved in a weird intergalactic dance which has occasionally caused great (and sometimes humorous) confusion between their two sets of devoted fans. One has been one of the region's most stead forth touring acts; the other, which formed in Des Moines, Iowa in 1995, has steadily been building up a reputation that now has them recognized as one of the planet's most outrageous acts. Two years ago last month, they even manage to play the same club, the Alley on Commercial Street, in the same week. Ladies and gentlemen, we're here to set the record straight.

The Central Massachusetts Slipknot came first. "I started Slipknot in 1977 to play the music I loved, which included as much of what I liked as I could get people to play and audiences to listen to," says guitarist Bruce Mandaro. "[That includes] Everything from the Dead to Clapton to the Allmans, bluegrass, country, R & B, and anything else that could be played with an improvisational approach. The band has been through many changes but the mission is still the same for me — go out and have fun playing the music I love." Mandaro's group released "Slip Into Somewhere" back in 1997; the disc is currently unavailable, although fans can hear parts of the recording at their web site (http://www.knotbuzz.com), which also includes downloadable recordings of two original compositions, "Funk-in-A" and "Overdrive," along with their version of "Stagger Lee."

So, how often do fans of the metallic Slipknot show up to see Mandaro and company? And has he ever heard about an instance where a jam band loving fan turned out to see his group only to receive a rude awakening? "We really only hear from the metal Slipknot fans, and it's usually not fun — they tend to be rude, hostile and immature — but when we've met them face to face they don't seem very dangerous — they're usually pretty young. A couple of years ago a rep from Roadrunner records, their record company, called and asked if we minded them using the name — she said they knew we had the longest hold on the trademark — and I told them I didn't like it very much. That obviously didn't mean much. There is a lot more to the story of trying to fight their use of the name — basically it could cost a lot of money that we don't have. We are considering our options." The tale of two Slipknots was included in a humorous piece in British music mag Select on the history of bands with the same name.

There have been other instances where a group using a name which unknowingly already was being used had to pay the original group when they reached a level of success in which challenging their copyright infringement carried the promise of a financial payment. In the late 1970s, the Knack had to pay off an earlier act of the same name (who even recorded for their same label); Nirvana had to make due to a 1960s psychedelic outfit.

Considering Slipknot's next show is a Halloween bash with Max Creek, would they consider, for a laugh, outfitting themselves as the "other" Slipknot for an evening? "I personally would not want to put on a metal Slipknot costume," Mandaro says. "If it wasn't for the name thing, I wouldn't pay much attention to them. I find their music to be harsh and their lyrics repulsive — and kind of dangerous — and wouldn't want to use any part of their image. I guess at the moment I don't have much of a sense of humor about the whole thing."

He is, however, having a great time with his ongoing twice monthly Bruce Mandaro Band gigs at the Tammany Club. "The Thursday gigs at Tammany are going well — we could always use more people in the audience, but musically it continues to be a lot of fun. Once I get settled in here, I'll be looking to book some acoustic duo gigs with Mark Mercier in my new area, and I'm always open to a new musical situation I can play mandolin in."

And fear not fans of Slipknot Mark I, they're begun to lay the groundwork for a new album. "We've been working on the material for another CD. We've got more than enough tunes, and eventually we'll get them recorded — hopefully by the spring. Time is the obstacle — having a new , eight months old now, baby girl takes up time — as well as moving the family to Northampton and trying to get settled in a new place."

After their show with Max Creek at the Palladium in Worcester on Saturday, October 27, Mandaro and Slipknot will play Harper's Ferry in Allston on November 3 before returning to Wormtown for a show at the Plantation Club on November 17. And if you want to see, the other Slipknot, they'll be in town too — at Worcester's Centrum Centre as part of the Pledge of Allegiance Tour on October 30. — Brian Goslow (bgoslow@yahoo.com)